Jesus Christ Superstar (Special Edition)

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Aspect Ratio: 2.35:1
Audience Rating: G (General Audience)
Binding: DVD
Brand: Universal
EAN: 9781417015771
Format: AC-3
ISBN: 1417015772
Label: Universal Studios
Manufacturer: Universal Studios
Number Of Items: 1
Publisher: Universal Studios
Region Code: 1
Release Date: 2004-08-31
Running Time: 108
Studio: Universal Studios
Theatrical Release Date: 1973-08-15

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Editorial Reviews:
Jesus judas and mary magdalene cross paths in this version of the rock opera. Studio: Uni Dist Corp. (mca) Release Date: 08/31/2004 Starring: Ted Neeley Yvonne Elliman Run time: 107 minutes Rating: G Director: Norman Jewison

Spotlight customer reviews:

Customer Rating:

Summary: Stunning visual affects
Comment: Jesus Christ Superstar (Special Edition) (1973) was a visual spectacle. The sunsets were spectacular as well as the costumes. The film is not a literal interpretation of the life of Jesus. It shows Jesus even becoming apathetic about His own Mission. But for stunning visual affects I gave it a good rating.
I found this beautiful new book about Jesus, faith, God and what we will do in the after-life entitled "The Enlightenment, What God Told Me After One Million Prayers: A Message for Everyone," by John H. Eagan. I just finished it. It's really great and deals with God, the creator, Jesus' teachings, and His Passion. It brought me to tears. I think the people who watched this film w ill really enjoy The Enlightenment

Customer Rating:

Summary: It would be a good thing to update and upgrade the myth
Comment: This film has become a myth in some way and it was fun to see it, especially so close to Christmas. But it has aged tremendously. To center the film on the Jesus who started, without even knowing it, a revolution that leads him to die is passé, and false because the Roman legions were by far strong enough to start that revolution. To center the film on Judas the traitor who delivers Jesus and then hang himself is also very untrendy and absurd now we have the Gospel of this poor systematically scapegoatish Judas. There is a lot of good singing and interesting music for sure but the general idea seems to me slightly outlandish. The emphasis is definitely by far too much on the Jews, the priests, high priest and other officials from the temple but also the crowd, simple people who really are too heavy on the "crucify him" bit. Today that sounds and looks definitely out of tone and the use of the good old Jewish purple to really emphasize this Jewish responsibility in the crucifixion is just coming from another age that Johan Sebastian Bach had been quite cautious not to follow even in his Saint John's Passion. Too bad because it has always been a good idea for me to put music, no matter which type, on these poetical myths of ours because they were invented and imagined in a language that was necessarily enriched with prosody and music from beginning to end. But the music must not be the tree that hides the forest and the forest is the revulsive contractions this century was going through in those days. A first globalization that was to reduce that Middle East to nothing at all for a few centuries just for the pleasure of Roman legions and the profit of Rome. A temple, a city and a people were not to be taken into account in such a prospect. But the film does not show that at all. Too bad. The film is in a way already stepping down from the stage.

Dr Jacques COULARDEAU, University Paris Dauphine, University Paris 1 Pantheon Sorbonne & University Versailles Saint Quentin en Yvelines

Customer Rating:

Summary: One of the Best Musicals
Comment: This is most moving version of this classic story I've ever seen. The talent in this musical is extraordinary. It has been a part of our family from the beginning.

Customer Rating:

Summary: Unique, Wonderful Musical
Comment: JESUS CHRIST SUPERSTAR has wonderful music and the movie made from it is pretty close to perfect. Shot creatively on location in the Middle East and filled with expertly rendered visual symbolism this musical has a unique take on the last days of probably the most influential person to ever live. No matter what one's spiritual beliefs JESUS CHRIST SUPERSTAR can give the open minded viewer new insights into a life that changed the world.

Customer Rating:

Summary: Rock Opera Provides Believable Portrayal of Judas and Christ
Comment: Jesus Christ Superstar is perhaps the boldest of all musicals made during the last seventy years, even though the story it tells is one that has been told, retold, and read for centuries. The way this show presents its subject material, and context has gotten it banned in a heavily Christian nation in Africa, and scolded by many Christian churches, but this musical has proven appealing to both people of faith, and those without. This musical was ahead of its time, starting an era of adaptation for Christianity, which wasn't moving into the new world very well, considering science was beginning to take a stronger grip over cultural knowledge and concepts. I consider this one of the first big steps into making Christianity more believable, and up to the standards of modern society.

Like any great musical the opening is an overture giving us samples of all the music to come. During the overture we see the cast arrive via bus, after being presented with a long landscape shot that shows us the remains of the Roman civilization. Without a single word being exchanged we are presented with our cast, led by skilled singers Ted Neeley, and Carl Anderson. These first shots in the overture are important; in it the actors already give you an idea of how it is that they're portraying their respective roles.

The actual musical starts with the song Heaven on Their Minds which is sung by the disciple Judas Iscariot, who of course would later betray Jesus. There initially was controversy over Anderson, a black man, being cast in this role, because many regarded Judas as the greatest villain in history, and that this was a racist move by the producers. In this first song all thoughts of racism quickly evaporate, as Anderson's powerful singing ability blows the audience away.
You quickly learn that Judas is not the villain of this story; in fact he's portrayed as a good, very confused man; someone who doesn't quite know how to cope with his feelings in regards to Jesus. This humanization outraged many in the Christian church, several objecting that Judas was a villain and should've been portrayed as the sniveling, plotting individual in the corner who'd sell you out for pieces of silver. This is one of the main reasons Jesus Christ Superstar is a giant step forward in today's Christian society, because it recognizes that people have weaknesses, and that anyone can act rashly out of confusion, or haste.

The first song performed by Anderson is one of love, and respect for Jesus, but also one of great confusion, because he's shown as not knowing what it is that Jesus wishes to accomplish; he thinks Jesus is becoming self-centered, caring more for him rather than the poor and needy. This entire song is performed by Anderson on the mountains overlooking Christ and his followers, creating one of the best landscape shots in the entire movie, but it also catches the purpose of this song. Judas is far from Jesus and pleading for him to listen to his warnings, but of course he can't be heard from that distance. Perhaps he's too frightened to actually express himself, and confront Christ, or maybe he really is ignored by Jesus. By the end of this song you can easily feel sorry for Anderson's character. After his suicide nothing could've have been more controversial than Judas coming back as an angel.

The same thing that outraged the church about this shows Judas was same for Jesus, who's portrayed more as a vehicle for spreading the word of God more so than a divine being. This Jesus shows human weakness, passion, and even rage, which made him more human than most other incarnations. Jesus would rather not die, and is even tired of his task of spreading the word, losing his inspiration over the last three years, which is why Judas in this story feels that he's slipping in the first place. Jesus, is as he put it in one song, "sad and tired."

Ted Neeley sings the part right, and his eyes provide the best aspect of his portrayal of Christ. In his eyes there lies a great deal of complexity that shows someone who's incredibly troubled from a mental stand-point. He's been slowly beat down over the past three years and his exhaustion isn't present in his mannerisms, or actions, but it's all there in those eyes. He speaks like someone who's obviously a step above your average civilian, and he sounds like a happy person who's simply doing what he feels must be done but those eyes of his...These eyes show someone well over thirty; someone who's tired and teetering on the edge of self-destruction.

Another noteworthy performance is Barry Dennen as Pontius Pilate, who is portrayed very sympathetically. He is shown as someone who really doesn't want to kill Jesus, because he really has no incentive for committing such an act, but he has peers and the population pressuring him into it from all angles. The performance given by Dennen, though not as grand as Anderson or Neeley, is worth noting in this film, for he performs the songs with full emotion, while acting each scene to its fullest, but never quite going overboard.

With music by the infamous Andrew Lloyd Webber (The Phantom of the Opera) and lyrics by Tim Rice (based on the book by Rice) this musical was helmed by Director Norman Jewison. Having just finished the future classic, Fiddler on the Roof, Jewison was ready to tackle this obscure rock opera, and was willing to push it to the max. So what did Jewison do to try and provide something new, new, and extraordinary? He packed up the entire cast and took them overseas to shoot the entire film on location; as accurately as possible. The entire movie is shot on the ruins of the Roman Empire, where this story is thought to have unfolded two thousand years ago. It is hard to believe these ruins once housed one of the largest empires in human history.

The desert in this film does not look dry, and forbidding, it actually appears very surreal and not at all some place you wouldn't want to be. You may wonder why I point this out, but if you pay attention to some other movies you'll see that lots of them do not shot deserts in a really fashionable style, often making them look dry, and depressing, or just plain boring; which deserts probably are in real life. Jewison takes the desert and utilizes effective camera angles to capture the beauty of this landscape, and they way he transitions from music number to music number are very effective. No transition here seemed to have been forced onto the viewer, and all of it seems to fit together like some sort of film puzzle, but for the most part it works well.

Jewison's style reminds me of Stanley Kubrick, to a certain degree (mind you no one can compare to Kubrick). It's a very dry filmmaking, not really showing much bias towards any of the characters, for they all get treated with mostly the same camera angles. You get to judge these characters entirely by their actions, and not by the way they are filmed, and that's how any story should be presented, and that is not letting any character get away without having to prove themselves to the audience; even if they are Jesus. In this film you don't have any dramatic shots of Jesus, or Judas that distinguish themselves over the other characters. Jewison's style is beautiful, but he doesn't let the filming control the musical, letting the actors, and the music tell the story more than his film.

This movie isn't at all Christian propaganda (the churches that have scorned the musical can prove that) and is something that everyone should try to be exposed to at some point or another. If you don't believe in the Christian faith you shouldn't avoid this musical, because none of it is propaganda, in fact it's one of the most believable adaptations of Jesus I've ever seen. Come to this musical with an open mind, and remember that it's just a story; forget its inspiration came from a religious text, because as a musical it really isn't something to miss. If you are of faith this musical can bring up some questions for you about it, but you shouldn't dwell on them. If you think what the Bible says is what happened one-hundred percent, no questions asked, I can tell you now that odds are you will not like Jesus Christ Superstar.

Now sit back and let yourself get swept away by one of the most groundbreaking musicals of all time.

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